Midnight Oil's new album well worth the wait

Resist is an exceptionally strong Midnight Oil album. As a big Midnight Oil fan from about 35 years ago, I can report that this one is as good an effort as anyone could have expected. This one won't go down, at least in my book, as the strongest Midnight Oil effort.

But it will go down as one hell of a closing chapter in the band's legacy, if this is indeed the final chapter, as has been reported. 

Celebrating 50: Neil Young's fourth was a bountiful Harvest

The success of the half-century-old Harvest may have put the always-acerbic, eccentric and cantankerous Neil Young uncomfortably, as he puts it, “in the middle of the road.” But it also gave him the freedom to steer “for the ditch” to experiment in more esoteric styles such as electronica, swing, rockabilly, blues and jazz.

While Young has careened to and fro with these varied musical styles, so far out in left field that he was sued by his record company for not delivering commercially viable albums, Young is best-known for working in two distinct rock subgenres: crunching, electric grunge and acoustic folk, often with a country tinge.

Celebrating 40: Lou Reed turned a corner with The Blue Mask

The Blue Mask, released on Feb. 23, 1982, was not Lou Reed's declaration of late-blooming adulthood as he approached his 40th birthday a week later.

His previous record, 1980's Growing Up In Public, was the one on which Reed told the world he had found true love with Sylvia Morales and that his days as a debauched rock-and-roll animal were behind him.

Geezerology Roundtable: Rollin' on the kid's coattails

Ca. 1968: Tom Fogerty, Clifford, Cook, John Fogerty

Tom Fogerty had just graduated from high school in the San Francisco Bay area when he got his first big break in the music business. His band, Spider Webb and the Insects, got a recording contract from Del-Fi Records down in Hollywood, CA.

But the Insects disintegrated in 1959 before they could even got a record released. The disappointed yet still determined singer-guitarist, approaching his 18th birthday, went back home and hooked up with The Blue Velvets, a band formed by his 14-year-old brother, John, and the kid's school chums Doug Clifford and Stu Cook.

Geezerology Roundtable: A look back at Jimi Hendrix' debut

Jimi Hendrix finally made a splash in his homeland in 1967, thanks to more than a little help from his friends.

The talented young guitar player from Seattle knocked around the United States for a few years before Chas Chandler heard Jimmy James and his band playing in a small club in New York in 1966. Chandler was wrapping up his final tour as bass player with The Animals and was contemplating getting into the management side of the music business.